Shall we run toward the Light?

Shall we run toward the Light?

Saturday, January 14, 2012

Tiger Mom

“I value cosmopolitanism, and to make sure the girls are exposed to different cultures, Jed and I have always taken them with us everywhere we traveled—even though, whenthe girls were little, we sometimes had to sleep in one bed to make it affordable. As a result, by the time they were twelve and nine, the girls had been to London, Paris, Nice, Rome, Venice, Milan, Amsterdam, the Hague, Barcelona, Madrid, Málaga, Lichtenstein, Monaco, Munich, Dublin, Brussels, Bruges, Strasbourg, Beijing, Shanghai, Tokyo, Hong Kong, Manila, Istanbul, Mexico City, Cancún, Buenos Aires, Santiago, Rio de Janeiro, São Paolo, La Paz, Sucre, Cochambamba, Jamaica, Tangier, Fez, Johannesburg, Cape Town, and the Rock of Gibraltar.” Amy Chua, Battle Hymn of the Tiger Mother, pg 86-87.
In my eighteen years of life, I’ve been to Los Angeles, San Diego, Seattle, Las Vegas, Vancouver, Boston, New York, Ithaca [lol], Hong Kong, Shenzhen, Guangzhou, Heyuan, and Beijing. Under 15 places in 18 years, compared to almost 40 in 12 or 9 years—and those are just the cities OUTSIDE the U.S.
When I’m reading Amy Chua’s book, the feelings I experience are somewhat…complex. I’m surely not reading it and seeing anything particularly shocking; indeed, her conduct is that which I expect from a strict, traditional, Asian mother.
A fact that struck me as particularly interesting was that a) Chua is probably as old as my mother and father; all three were born in the Year of the Tiger in 1962 [indeed, she’s a month younger than my dad] and b) Sophia is the same age as I am. And yet, reading about her, she is clearly much more talented, much more motivated, and much more adept at a variety of subjects and disciplines than I could ever imagine being.
My dad is definitely Western by Chua’s definitions—he’s fairly lax and allows us to do as we wish, because he believes that ultimately it’s up to us to forge our own way through life. The only Chinese-styled parenting I see from him is his [rightful] refusal to praise us in public—or even at home, sometimes. My mother is comparatively more traditional. I sometimes think that she would have liked to be a tiger mom, and given better work and living circumstances, I’m sure she would have followed in Chua’s footsteps. At the moment, she’s reading the Chinese version of the book [which I thoughtfully bought for my parents as a Christmas present] and exclaiming that she was never as harsh as Chua, and now she cites excerpts as justification for things like prohibiting sleepovers.
When I’m reading this, I wonder if the reason I’m so mediocre—in math, in music, in Chinese, in everything—is because my parents didn’t have the time (or the heart) to drill me as hard as Chua did with her daughters. Compared to many people—including many of my thoroughly Western classmates both at Harvard and in high school—I’m very unmotivated, lazy, stupid. I’m not very good at my passion of learning languages because, as my attempt to excuse myself goes, I’m just naturally bad at memorizing vocab. But sometimes, I wonder if it’s just because I’m being far too easy on myself. If I just drill myself, if I do more rote memorization, if I practice my strokes in Chinese and my conjugations in Spanish and French, German and Italian, could I not reach the same level of competency and fluency as someone like Krister could?
And then there are times when I reminisce about missed opportunities. My only formal piano lessons happened when I was seven years old. Even then, my lessons weren’t one-on-one; they occurred at the teacher’s house, where he taught classes of 15 or so kids really, really basic tunes. The extent of practice I put in at home was practically negligible. Right now, I’m seeing the same pattern of practice [or rather, lack thereof] in my sister, albeit with the violin. Her report card for Orchestra came home as merely “Satisfactory”, the middle grade, rather than “Outstanding”. The key reason, I suspect, is because of her lack of at home practice (duly noted on the report card) and the lack of any real improvement (also noted on said report card). And despite my attempts to tell her to practice [“You need to do at least half an hour every day you don’t have Orchestra”—a feat insanely dwarfed by Lulu and Sophia’s schedules] she never does it, and I, supposedly lost in my own “busy” [selfish] life, never follow through.
When I read the part about the three-generation deterioration of the Chinese immigrant family, something immediately stuck out to me. Even though I belonged to the second generation—aka Amy Chua’s generation, the first generation American—I identified more with the third generation. Sure, I’m relatively disciplined, and I’m attending an Ivy League—but at the same time, I’m extremely privileged, extremely pampered, and extremely lazy and un-self-motivated. And when I read that, I think, would I have turned out differently had my parents been Chua’s stereotypical strict immigrant parents? Would my possibly innate talents in language and other fields have blossomed more rapidly, more perfectly? And most of all, would I be more confident in myself?
Of course, I’m grateful for the freedoms I have. I’m allowed to do basically anything I want. My father said today that he will support me whatever major I declare, as long as it’s something I enjoy. And my mother has compromised by saying that psychology, at least, might be somewhat useful and lucrative [she’s still intent on me eventually obtaining a law and/or business degree, because “You’re going to Harvard, after all. Why not study the thing that Harvard’s best at? Study law!”]. But part of me wonders if the reason I can’t imagine living without these privileges is due to the fact that I’ve never had to live without them, that I’ve never really been forced to do something that I didn’t want to, that I’ve never been deprived of them—and I wonder if that in turn has deprived me of some other opportunities.
Oh well. Thoughts, thoughts. Ultimately, I try to minimize the influence that Tiger Chua is having on my own hibernating-Tiger mom, telling her that “Yes, she did do those things, and she didn’t allow her daughters to do those other things, but in the end, she says she regrets a lot! Just read on!” Truthfully, I don’t remember if Chua admits to being regretful at all—after all, both daughters turned out wonderful. And the most ironic part of it is that I myself show Tiger tendencies when I scold my sister. Indeed, already I can imagine being a Tiger Dad myself—drilling in classical music [piano and/or some sort of orchestral instrument, stringed or woodwind], finding tutors in foreign languages [Chinese at a minimum, hopefully Spanish, French, Italian, Portuguese, Catalan, German, Japanese, Arabic, Farsi, Russian, Latin, and Greek; in short, the few languages that I myself want to master eventually.], and tons tons tons of math, reading, and writing practice. I want kids who will get perfect 2400s on the SAT and 36s on the ACT (feats that I myself was unable to accomplish)—all while probably married to a skeptical Westerner (hopefully at least one who actually wants children).
In short, I admire Amy Chua. I certainly think that she’s far too strict, and right now I wouldn’t want her controlling my life. But her ability to stay strong and maintain ground in front of the children she loves—that, at least, is a trait to be admired.
Alright, time to get back to reading.

Sunday, December 18, 2011

Glee 12/13/11

Gah.. So much love for this episode.

I'd seen the music for the episode online already, through Spotify and stuff. Wasn't sure that they were actually doing a Christmas episode or if the Christmas album thing had just become an annual money-making device. So glad that they actually shot the episode. :)
I have to admit, I was a little worried when it started off with Mariah Carey. But it wasn't bad. Sure, a lot of unrealistic things, like Artie almost rejecting to shoot the thing and the TV guy being glad about having a high schooler shoot the Christmas Special. I mean, really? But there were a lot of pros that balanced it out.
Top on my list, I guess, is Sue being human. It happens so rarely, and often it's so weird and abrupt. But, good Sue always makes an appearance when her sister is involved, and by mentioning her, it was a lot more realistic.
Then, the Christmas Special itself was really good. I was loving the black-and-white; made it feel much more oldies, which helped make the affectations that Kurt and Rachel took on funny, rather than indications of bad acting. That first scene, with just Kurt and Blaine, was also super great. Kurt/Blaine Holiday duets are so great. :) And their suits! Gosh, so much love for those suits, not to mention Kurt's skinny tie (nothing against Blaine/Darren's bowties, but I really love the skinny ties).
But yeah. I'm glad that it showed them (the kids) not being super douchebags. At least they helped at the homeless shelter after shooting the Special [although I would have imagined them shooting the special with the homeless shelter as the setting so that they could actually watch, but whatevs]. And though I found the reading of scripture a little uncomfortable (so many Jewish characters present!) it was great and I understood the message being shared. And so, apparently, did the characters.



So yeah. I'm happy. Done with finals, taking a short break around here first before I head back to the Valley. Most of my friends here have gone home, save Jon. Mostly, just glad to be able to relax. Can't wait to spend time home with friends and family.
Ah, the holiday season. :)

Saturday, December 10, 2011

ThUd!

aka, the Harvard Undergraduate Drummers, put on a concert tonight! Well, it was more along the lines of a show than a concert. Less formal, more funsies. :)

I went expecting a lot of drums. Instead, I got a lot of marimbas, along with many other things! They were crazy inventive--everything was game, including balls, doors, the railing along the balcony, buckets, stools, even the tops of pianos! I've also never heard the Simpson's theme so well played, nor will I ever hear ringtones the same way.

The meta-show was also really cool. They based it on a TV theme (hence ThUd TV) meaning that the music of the show was meant to be imagined as if it were coming from the TV. They even had Homer change the channels at first. :) So cool.

The part that got me most excited, though, was when they played the Will and Grace theme. I haven't watched that show for quite a while (probably about a month, now) and I need to watch more episodes ASAP! :)

Quite a fulfilling night, to say the least. Great way to spend an hour.

Friday, December 9, 2011

Glee 12/6/11

As Kaylie requested, here's another recap!

Positives
-I'm glad Sam's back. :)
-The reality of the Asian problem with Mike (and Tina) (although the way Tina's talking to Mr. Chang would be a unacceptable, luls).
-Lindsay from The Glee Project! (although it's weird that she's the only vocal in the song her group sings. Lol at unreality). I really like her line: "Next year's gonna be a blood bath!" and her enthusiasm, haha.
-"I Will Survive"! :D Vocals and choreography were so good!
-"ABC"--I don't quite like the song choice (not a fan of the King of Pop) but I did love the choice of vocalists for the song. And the Kurt jumping scene was great. And the fact that Mr. Chang was there was also great. *spasm of happiness*
-"Rebel"--also iffy about the song choice. But Darren Criss. :)
-"Man in the Mirror"--at least they're consistent. This one I'm actually okay with.
-The heart-breaking moment after the announcement.
-Reuniting!
-"We Are Young"! Indie music <3

Negatives
-Damian's lack of airtime. He "won," but other than the first episode, he hasn't had any real role!
-"Red Solo Cup"? Really?
-They resolve problems so quickly. Like the tension with Blaine and Finn/Sam, and between Mike/Mr. Chang (although this was a little more realistic--slightly. His sudden 180 degree change in behavior is a little extreme, but regardless.)
-Gah, Sebastian.
-Gaaaaaaah, Shelby-Quinn tension. So trite, so stupid! Quinn's just starting to annoy me now. Although her maturity at the end was executed fairly well--although it's sooooooo quick (see above).
-The judges? Always so dumb (except for the first time at Regionals--Josh Groban and Olivia Newton-John ftw!)

Friday, December 2, 2011

Glee 11/29/11

Things that were good about this episode:

  • Kurt's sweaters
  • Song choices
  • Dot singing 'Jolene'
  • Santana maturing
Negatives, though...:
  1. Santana's coming out scene felt so rushed and so unreal. It was just so...plastic. The smile, the happiness about telling her--I mean, no matter how confident she was that her abuela would accept her, I feel that realistically speaking, she would have still been hella-nervous. And the length of that scene--a few short minutes--is so...ugh. There wasn't the necessary mood build-up; it was artificial, and despite how good of an actress Naya Rivera is, it just didn't work. And it could have been so good, like Kurt's coming out in Season 1, only different because of the reaction. The way this was set up though, with all those other sideplots running around at the same time, it was just too abrupt, and that made the little segment so much less effective in adequately representing the abuela's sentiments, and the sentiments of having to come out, especially for someone from a traditionally conservative culture.
  2. All the extra sideplots, especially the Puck-Shelly/Puck-Quinn plot. The election things also seemed rushed, and it didn't seem particularly relevant to the plot/theme of the episode (if there were a theme in the first place).